混乱中的秩序 Order in Chaos / 阿布扎比teamLab★Phenomena

这件作品中的色彩笔触没有整体性的中心，也不存在引导或外部干预。通过色彩笔触与观者之间简洁而局部的互动，一种自发的秩序不断在趋向混乱的过程中自行涌现。
The strokes of color in this artwork do not have an overall focus; there is no guidance and no external influence. Through simple, localized interactions between color strokes and people, spontaneous order continuously emerges on its own, even as everything moves toward disorder.

即使彼此在空间与时间上相隔遥远，当自发秩序出现时，个体元素也会超越时空，形成一个统一的整体。尽管它们在表面上可能经历形态、大小的巨大变化，甚至个体元素被替换，但这一“单一存在”仍将持续维持。
Even if individual strokes are distant in space and time, when spontaneous orders appear, individual elements transcend space and time and form a single entity. Despite significant changes in shape or size on the surface, or even if the individual elements are replaced, the single existence will be maintained.

这种时空中的存在，既是混沌之海的一部分，被混沌吞没，又不断从混沌中重新浮现。
This spatiotemporal existence is a part of the sea of disorder, it is swallowed by the sea, and yet continues to emerge from the disorder.

秩序与无序、个体与整体，在无边界的流动中不断交替、起伏、碰撞与融合。
Order and disorder, existence and the whole, continuously flow into one another without boundaries, as they rise and fall, collide and merge.

由相机镜头与透视所构成的图像，是一种空间幻象——它在二维平面上描绘三维空间。在这种幻象中，三维空间仿佛存在于平面之外，而观者身处其中之外，使二维平面成为观者与三维空间的界限。由此，视点被固定，观者的身体被排除在外。
Images created by camera lenses and perspective represent the illusion of space, depicting a three-dimensional space on a two-dimensional plane. In this illusion, the three-dimensional space appears beyond the two-dimensional surface, and the viewers are in a different space from the three-dimensional space, making the two-dimensional plane a boundary. With this, the viewpoint is fixed, and the viewer’s body is absent.

相比之下，本作品并不制造空间幻象。作品的空间与观者的身体直接存在于同一真实空间中。墙壁与地面不再是分隔人和作品的边界，而是让作品的空间与观者所处的空间融为一体。观者的视点不被固定，身体也保持自由。
In contrast, this artwork does not create an illusion of space. Instead, the space of the artwork directly exists in the same space as the viewer’s body. Walls and floors do not act as a boundary between the person and the space of the artwork, but rather, the space of the artwork integrates with the space in which the viewer’s body exists. The viewpoint is not fixed, and their body remains free.