通往艺术的净零碳排放之路—— 碳减排主题展览 / Üroborus_studioLab

中国台湾作为文化创意的重要发展区域，每年举办超过上万场各类文化展览活动。在承接文化主管部门”净零碳排放”主题展览设计项目时，我们深入反思了传统展览模式产生的资源浪费问题。通过创新设计思维，我们将常见的租赁物流器材转化为展览的核心元素。
As an important development area for cultural creativity, Taiwan hosts more than 10,000 cultural exhibitions of various types every year. When undertaking the “Net Zero Carbon Emissions” themed exhibition design project for the cultural authorities, we deeply reflected on the resource waste caused by the traditional exhibition model. Through innovative design thinking, we transformed common rental logistics equipment into the core elements of the exhibition.

通过创新设计和精密的空间规划，整个搭建过程摒弃了传统的胶合与钉装，仅依靠棘轮绑带的机械固定，不仅确保了结构的稳固性，更实现了一套可快速拆装、循环巡展的低碳展览模式。这种突破性的策展方式，在保证展览品质的同时，大幅降低了资源消耗和碳排放，为文化展览的可持续发展提供了全新的实践路径。
Through innovative design and precise space planning, the entire construction process abandoned traditional gluing and nailing, relying only on mechanical fixation with ratchet straps, which not only ensured the stability of the structure, but also realized a low-carbon exhibition model that can be quickly disassembled and assembled and circulated for exhibition. This groundbreaking curatorial method, while ensuring the quality of the exhibition, greatly reduced resource consumption and carbon emissions, and provided a new practical path for the sustainable development of cultural exhibitions.

这场展览真正实现了从搭建到撤展的全生命周期环保实践——所有空间构成元素不仅完整保留了原始功能属性，更在展览结束后悉数回归物料循环系统。用最直观的方式诠释了”净零碳排”不仅是口号，更是可触可感的产业实践。展览设计本身成为最有力的环保宣言，证明创意与可持续发展完全能够完美共生。
This exhibition truly realized the environmental protection practice of the entire life cycle from construction to dismantling – all the elements of the space not only completely retained the original functional attributes, but also returned to the material circulation system after the exhibition. It explained in the most intuitive way that “net zero carbon emission” is not only a slogan, but also a tangible and perceptible industrial practice. The exhibition design itself has become the most powerful environmental declaration, proving that creativity and sustainable development can perfectly coexist.

▼更多图片 ©Yi-Hsien Lee and Associates YHLAA