“解构殖民主义，去殖民化想象”——解构葡萄牙殖民主义神话的展览 / P 06 studio

在里斯本民族学国家博物馆举行的展览“解构殖民主义，去殖民化想象”，在老师伊莎贝尔·卡斯特罗·亨里克斯的指导下，为我们提供了一个激动人心的挑战：创建一个项目和展览的图形设计，以创新的方式探讨葡萄牙殖民主义这一复杂主题。
我们的目标是整合由知名研究人员撰写的信息展板，以及展示非洲艺术品的展示柜，以强化和阐释展览内容。
The exhibition “Deconstructing Colonialism, Decolonizing the Imagination”, at the National Museum of Ethnology in Lisbon, under the direction of the teacher Isabel Castro Henriques, presented us with an exciting challenge: to create the project and graphic design for an exhibition that innovatively addresses the complex themes of Portuguese colonialism.
The goal was to integrate informative panels authored by leading researchers and display cases with African art pieces, that reinforce and illustrate the contents on display.

提议的解决方案是创建大型悬挂面板，按圆形布局从房间中心辐射而出，中心位置展示了一件当代非洲艺术品。
主要挑战在于如何利用这个大型展览厅，平衡信息的丰富性与吸引人的展示，以及为访客提供清晰直观的信息理解。
The proposed solution consisted of creating large suspended panels, arranged in a circular layout radiating from the center of the room, where a piece of contemporary african art is located.
The main challenge was to occupy the large exhibition hall, balancing the abundance of information with an attractive presentation and a clear and intuitive understanding of the information for visitors.

这些面板以不同颜色划分为主题区域，引导游客在一个直观且沉浸式的路线中探索。每个区域结合了信息面板，包含文字和图像，以及展柜，展示能够直观强化叙事的物品。
These panels, organized into thematic sections identified by different colors, guide visitors through an intuitive and immersive circuit. Each section combines informative panels, with texts and images, and display cases with objects that visually reinforce the narrative.

从视觉角度考虑，我们选择了双色美学——黑色与每个主题部分独有的辅助色，以确保整体视觉形象统一且简洁。我们决定将大部分图像处理为黑白，选取一张主题色的特色图像，以突出主题。
From a graphic standpoint, we opted for a two-tone aesthetic — black and a secondary color exclusive to each thematic section — ensuring a cohesive and sober visual image. We decided to make most of the images black and white, selecting a single featured image, in the color of the section, to emphasize the theme.

排版采用几何设计，清晰易读，有助于信息在葡萄牙语和英语中的清晰传达。其结果是一个视觉上引人注目且在教学上有效的展览，促进了批判意识，受到了公众的热烈欢迎，验证了概念和技术选择的合理性
The typography, geometric and highly legible, facilitates the clear transmission of information in Portuguese and English. The result is a visually striking and pedagogically effective exhibition that promotes critical awareness and was well received by the public, validating the conceptual and technical choices.

此外，我们还开发了展览目录，目前已进入第二版，并制作了多种宣传材料。
Additionally, we developed the exhibition catalogue, now in its second edition, as well as various promotional materials.