2015年北京设计周期间，《UED》杂志以”十年·十线·百人”为主题，呈现了一场记录中国当代建筑发展的文献展。展览以时间维度为叙事主线，系统梳理了过去十年来中国建筑界的媒体观察视角与百位杰出建筑师的实践成果。时间性不仅构成展览的核心主题，更成为策展理念的生成原点——通过历时性的呈现方式，展现中国建筑创作从量变到质变的演进轨迹。
During the 2015 Beijing Design Week, UED magazine presented a documentary exhibition with the theme of “Ten Years, Ten Lines, One Hundred People” to record the development of contemporary Chinese architecture. The exhibition uses the time dimension as the main narrative line, systematically combing the media observation perspective of the Chinese architectural community and the practical achievements of one hundred outstanding architects in the past ten years. Temporality not only constitutes the core theme of the exhibition, but also becomes the origin of the curatorial concept – through the diachronic presentation method, it shows the evolution trajectory of Chinese architectural creation from quantitative change to qualitative change.
在空旷的展厅中，一条蜿蜒的长桌承载着百位建筑师自2004年《UED》创刊至今的代表作品。这些作品按建筑师”老中青”的代际顺序排列，与杂志十年间记载的重要建筑事件形成时空对话。这种独特的展陈方式不仅构建了一条可视化的中国当代建筑发展脉络，更让不同时期的作品在此刻的展览空间中产生了跨越时间的动态共鸣。
In the empty exhibition hall, a long winding table carries the representative works of hundreds of architects since the founding of UED in 2004. These works are arranged in the order of the generations of architects, forming a time-space dialogue with the important architectural events recorded in the magazine over the past ten years. This unique exhibition method not only constructs a visual development context of contemporary Chinese architecture, but also allows works from different periods to have a dynamic resonance across time in the exhibition space at this moment.
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